Gallery

The Early Archaic Period of Llhuros is characterized by a rugged imagery, essentially nonrepresentational. Objects of the Archaic Period, which seem to possess a disquieting or menacing air, are invariably Pilkug, while the more serene objects are most often the products of the tranquil people of Vanibo. While there is a noticeable emphasis on sexuality throughout the entire history of Llhuros, it is the manner and degree of this special interest which distinguishes the Late Archaic Period from the Middle Period which was renowned for a charged libidinousness exceeding even Paphian sensuality. Finally, concerning The Decline of Llhuros, the fall of the Llhuroscians has been ascribed to the infallibility of the menstrual chart, as well as their hedonistic indulgence of effete refinements, and obsessive pursuit of sensory excitation.

Double-Faced Stele

One face (left) of this stele shows a very early form of the stilt-walker image, while the verso (right) depicts a bullock.

COL.16

Early Archaic

Norman Daly

circa 1960 - 1965

Cornell University

Ithaca, New York

North America

Asia Minor

Llhuros

20-7/8 in

12-1/8 in

5-1/2 in

18-1/8 in

8 in

2 in

Marble

Fictional (and actual) medium as described by Norman Daly in the 1972 catalog and exhibition tags.

This object is a unique element of the "Civilization of Llhuros" collection given to the Cornell University Anthropology Collaboratory in 2025.

Akron Art Institute (1972)

Cornell University | A.D. White Museum of Art (1972)

Cornell University, Herbert F. Johnson Museum of Art (2004)

Indianapolis Art Museum (1972)

Istanbul Biennial, 16th | "The Seventh Continent" (2019)

Memorial Art Gallery | University of Rochester (1972)

Roberson Center for Art and Science, Binghamton, NY (1974)

Romische-Germanisches Museum | "Projekt '74" | Cologne Germany (1974)

SUNY Albany | Art Gallery (1973}

University of Pennsylvania Art Museum, Philadelphia (1974)

DOUBLE-FACED STELE (side a) | 1960-1965 | Photo by Ann Cady, 2024 | ©2026 Norman Daly Art — A weathered, rectangular slab of marble featuring a deeply carved, symmetrical design supported by a polished wooden base. The central motif is a vertical, elegantly shaped orant figure surrounded by distinct, curvilinear patterns that suggest a ceremonial purpose. The stone's rough texture contrasts with the meticulously crafted lines and shapes, creating an intriguing visual archeological piece. The gray backdrop highlights the sculpture’s antiquity and aesthetic form.
DOUBLE-FACED STELE (side a) | 1960-1965 | Photo by Ann Cady, 2024 | ©2026 Norman Daly Art
A weathered, rectangular slab of marble featuring a deeply carved, symmetrical design supported by a polished wooden base. The central motif is a vertical, elegantly shaped orant figure surrounded by distinct, curvilinear patterns that suggest a ceremonial purpose. The stone's rough texture contrasts with the meticulously crafted lines and shapes, creating an intriguing visual archeological piece. The gray backdrop highlights the sculpture’s antiquity and aesthetic form.
DOUBLE-FACED STELE (side b) | 1960-1965 | Photo by Ann Cady, 2024 | ©2026 Norman Daly Art — The other side of the stele shows an ancient marble artifact featuring engraved symbols and designs, prominently displaying geometric shapes and what appears to be script. It is mounted on a polished wooden stand against a gray background, giving prominence to its historical and archaeological significance. The artifact’s texture and wear suggest significant age, likely making it an important piece for study in cultural or historical contexts.
DOUBLE-FACED STELE (side b) | 1960-1965 | Photo by Ann Cady, 2024 | ©2026 Norman Daly Art
The other side of the stele shows an ancient marble artifact featuring engraved symbols and designs, prominently displaying geometric shapes and what appears to be script. It is mounted on a polished wooden stand against a gray background, giving prominence to its historical and archaeological significance. The artifact’s texture and wear suggest significant age, likely making it an important piece for study in cultural or historical contexts.
DOUBLE-FACED STELE | 1960-1965 | Photos by Ann Cady, 2024 | ©2026 Norman Daly Art — A weathered, rectangular slab of marble featuring a deeply carved, symmetrical design supported by a polished wooden base. The central motif of the left face is a vertical, elegantly shaped orant figure surrounded by distinct, curvilinear patterns that suggest a ceremonial purpose. The other side of the stele features engraved symbols and designs, prominently displaying geometric shapes and what appears to be script. The stone's rough texture contrasts with the meticulously crafted lines and shapes, creating an intriguing visual archeological piece.
DOUBLE-FACED STELE | 1960-1965 | Photos by Ann Cady, 2024 | ©2026 Norman Daly Art
A weathered, rectangular slab of marble featuring a deeply carved, symmetrical design supported by a polished wooden base. The central motif of the left face is a vertical, elegantly shaped orant figure surrounded by distinct, curvilinear patterns that suggest a ceremonial purpose. The other side of the stele features engraved symbols and designs, prominently displaying geometric shapes and what appears to be script. The stone's rough texture contrasts with the meticulously crafted lines and shapes, creating an intriguing visual archeological piece.

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